The Golden Age

SUMMER TOUR


Malibu, California, Raja Ji's birthday party, 9 September 76.

Providence, Rhode Island. This was the second of Guru Maharaj Ji's programs on his Summer Tour of North America. The Providence Civic Center accommodated the largest of the tour's attendance, an estimated 3,000 people, yet the evening became progressively more intimate, and accomplished its purpose: to allow people to sit, listen and make a personal connection with Guru Maharaj Ji.

Dan Hinckley, arriving from Montreal, Canada the evening before the program, collaborated with Beth Gerber, a long time resident of Providence, to write this article; the narrative is intermixed with some personal reflections written by Beth (in italics) in an attempt to convey not only the events, but the effect of her encounter.

I set about, with Dan, to write an article about - well about what people were learning about practising Knowledge before and during Guru Maharaj Ji's program in Providence. What changes, if any, were occurring?

The fascinating thing was that about the only changes that were real for me were the changes in my own consciousness.

Preparing for the program, the watchword in the Providence community became 'stay conscious.' I say the Providence community because, by the time the program rolled around, 110 people out of a 120 member community were on the floor of the Providence Civic Center doing their part to host Guru Maharaj Ji's visit to their city. "We took it in stride," said Tammy Halpern, who, along with Gil Hanson (both from the Providence community) designed the stage. "In other festivals I've been involved in, the service community has been transplanted to the site and the feeling was much different. Most of us here worked at our jobs right up until the last few days, and the preparation felt very comfortable; there wasn't that big emotional and psychological buildup that there has been in the past."

Maharaj Ji kept talking about the simplicity of Knowledge. and everything about my experience of the program emphasised that - the stage, for instance: nothing extra, ostentatious, fussy. There was a feeling of paring down to the bare essentials. And when you do that it's easier to see where you're at. And where you're not. And then the only thing left to do is accept it.

The stage. It looks like the living room in a gracious modern home. Live palms. An Aztec rug hung on bamboo screens. Maharaj Ji sitting in a chrome-frame office chair. It's a familiar, relaxing scene. No elaborate flower arrangements, no cosmic altar-like pictures to try and warm up to. Is it the reflection of a new understanding that already exists, or a step in its creation' Probably both.

Said Tammy: "For me, designing the stage was a joy. I felt comfortable enough to design in what I thought was the best taste: and rather than try to imagine something `kingly', this is the kind of decor I would have chosen for my own home."

There's a lot to be done, and people are doing it. Tammy and Gil flit back and forth from the mainstage; the setting for Maharaj Ji takes shape in quick, sure movements. Half an hour before the program is due to start, people are still eating supper. The vibe stays mellow key.

2

No. 33, October 1976

Jeff Bloom has been rumored to have a headphone implant. There's hardly a time when you don't see Jeff wearing a headset, relaying messages, giving the performers waiting in the Green Room a two-minute warning before they appear on stage. Jeff Bloom is the stage manager and program director of tonight's program. A veteran of many previous events, things are still new.

"I've done these actions so many times before; but still, you can do them unconsciously or you can do them consciously - and there there's a qualitative difference between the two. A program is always a pressure-cooker situation, and if you don't really make an effort to stay conscious, then you get totally fried, burnt out.

"Staying conscious, you're trying to discover why you're here; and what it means that you're doing service in this particular situation. On one level, the deadline, the night of the program is the goal; but there are so many other levels. I'm always experiencing deeper levels of why I'm here: to be opened up; to have obstacles put in front of me that I first have to get past old fears to overcome; learning to work with other people.

"And then when Guru Maharaj Ji walks up on the stage, all the the hundred intricate why's dissolve. As soon as you have that experience of seeing Guru Maharaj Ji, it's perfectly obvious why you're here."

I have to accept. This was the most powerful thing of the night for me. Because I saw myself really clearly. And the question was: can I accept myself? Maharaj Ji's not telling me to be anything other than what I am. But can I live with that?

Cliff Bowden, bemusedly known in Providence as one of the community's "founding fathers", has returned to Providence, a guest speaker. "Tonight is July third," he says. (July fourth is America's Independence Day). "We could all have gone to a fireworks display. But we came here. And to some extent it could still be like a fireworks display - it could be one program; it's nice, we see Guru Maharaj Ji, we walk out and say, 'Wasn't that nice to see Guru Maharaj Ji?' and we go home.

"But this in not what this program is all about to me. To me, seeing Guru Maharaj Ji tonight takes place in a context; and the seed of the experience I'm having this evening was already in me. My experience tonight will only be a reflection of everything I have put into life up to this point."

An attempt is made to schedule Guru Maharaj Ji's arrival so that he will come on stage during a song by the Los Angeles based band, Wire and Wood. The song comes, the audience claps along, and the song is over. In the momentary chaos that always follows a good set, there appears suddenly a hand batting at the curtain from backstage, and Guru Maharaj Ji walks on. And waits for the audience's standing ovations to subside. "Dear premies," he begins. "We are all here to listen to satsang …… And goes on from there to wrap a timeless and universal message in a totally new feeling.

From the different accounts, Guru Maharaj Ji has been saying much the same thing throughout this tour. It is a superbly positive message.

Mrs. Tannenbaum, mother of Ted, the program coordinator: "The program is really different. I've been coming since Louis Armstrong Stadium in 1973: that was all tinsel and huge. Then there was Amherst, and that was better, but there was still that whole crystal bubble around him, and the way he spoke was much more directed at the public. Here - well, you know, I've never been this close to Guru Maharaj Ji before - I felt he was really talking to the premies; and in very descriptive, direct terms."

When Guru Maharaj Ji gave satsang he set off a kind of instinctive, unavoidable soul searching. Everything he was saying was gelling something, and at the same time dislodging a lot of junk that had been coexisting in some queasy state along with the reality of my experience. And it was a jolting, disquieting thing.

Three times, Guru Maharaj Ji would make a point and the audience would interrupt him, applauding.

"For me, Maharaj Ji's satsang was tailor-made," said Connie Best from New York. "It was a ratification of all the changes I've been going through. An affirmation. You can convince yourself, intellectually, that all the monumental upheavals in your life are for the good. But to have Maharaj Ji sit there and be so positive, be so affirmative… I feel like I've been reconnected with my good buddy Guru Maharaj Ji."

And the message of the program for me was: you're a big girl now. Maharaj Ji has stopped holding my hand. Or I've finally hit a point in awareness where I can see that he never was holding my hand. That my life is my own, my decisions are my own, and this Knowledge is for me to experience and enjoy - or ignore. But this whole "father image", and the accompanying anxious feeling that I had to be behaving according to certain set standards, took a good beating.

A change of pace: the receiving line is slow and unhurried. A few directions are given to the audience on how to file through. The feeling of being "herded" into a ritualised formality is replaced with something a little more intimate and personal. There is time not only to experience but also a pocket of space to reflect and experiment with our relationship as we pass before Guru Maharaj Ji.

It made seeing him, hearing him this time around completely new. There was an equality there. I simply felt myself listening to him as someone who has everything to say about Knowledge - the most precious experience of my life - for me, he's the authority on it.

My experience boiled down to that. I don't know if it's the last word, or just one of the words in the middle of a very long sentence - or book. The trick is to keep reading, and not get caught up with what the word was way back on page two or why all the words keep changing.

Because we all keep changing.

"I was glad I got the chance to approach Guru Maharaj Ji that slowly," said Judith Dack from Montreal. "When I first started to get near the area, I thought, 'Oh hell, Maharaj Ji, it's been two years since I've seen you, and I've been through so many changes, and I don't know how to…' but I rounded the corner and felt this tremendous feeling of love and respect - just tremendous. And passing by, I very naturally, out of this tremendously deep feeling of respect, touched my forehead to Maharaj Ji's pillow."

And maybe, if nothing else, I've learned the truth of Maharaj Ji's role and relationship to me at this point in my life: that he has that ability to put me in touch - by being in his presence and listening to his words, as well as through the process of following his advice - with the deepest reaches of myself.

3